Shot! Free Screening of Danny Brown Documentary TONIGHT at House Of Vans

Premiere week kick-off begins at House of Vans with Danny Brown concert doc.
House of Vans and Rooftop Films partner to bring the world premiere of Danny Brown: Live at the Majestic

In a world full of bullshit and bullshitters, Danny Brown is as clean as a whistle. In fact, his authenticity is perhaps as pure as a baby bull’s shit. No matter how it’s put, Danny Brown is a true artist, and there’s a new documentary out tonight that will school you on the matter.

Directed by Andrew Cohn (of Medora fame), Danny Brown: Live at the Majestic captures raw moments with the indie rapper as he prepares for a homecoming show at The Majestic Theatre in Detroit. With 21 cameras, Cohn’s crew captured full coverage of the live show, but the documentary also includes intimate footage with Danny in his own hometown.

The film premieres tonight at House of Vans in Greenpoint as part of the Rooftop Films Summer Series, and it will be followed up with a live performance by Danny Brown himself.

Andrew Cohn, whose career initially started with screenwriting in Los Angeles, but who is now based in Brooklyn, enjoyed much success with his first documentary, Medora. The heart-wrenching doc follows a seemingly hopeless small-town high school basketball team through their losing streak in Medora, Indiana. The film premiered at SXSW, and it won an Emmy last year. 

Andrew Cohn at this year's Tribeca Film Festival. (Photo credit: Demis Maryannakiss)
Andrew Cohn at this year’s Tribeca Film Festival. (Photo credit: Demis Maryannakiss)

Danny Brown: Live at the Majestic is one of Cohn’s newest documentaries (he also just finished Night School). This time, as with Medora, he seems to have been born to make this film. As a Michiganian, Cohn was a fan of Danny Brown before the rapper’s fame hit global proportions — before XXX or Old hit the charts — back when Brown was just a drug dealer in Detroit trying to make it as a rapper. Cohn says he remembers when it was a big deal whenever Danny was featured on the cover of “Metro Times” in Detroit. As a fellow Midwestern artist, he’s enjoyed seeing Brown’s fame rise as his own filmmaking success has evolved.

I had the chance to catch up with Cohn about the documentary — how it came about and what it was like working with the creative force that is Danny Brown. 

Greenpointers: What made you decide to make a doc on Danny Brown?

Andrew Cohn: It kinda came about as a side project because I was in the middle of making Night School, which I was in Indianapolis for. I had been in touch with his manager about doing a doc… and had lots of ideas that just fizzled and nothing came of [them]. But when I was making Night School… his manager approached me and said, ‘Danny is doing this show…it’s his first time doing a solo show in Detroit in a long time and we wanna film it, and want to talk to you to see if there’s something bigger you want to build around it.’ And immediately I was like ‘That sounds great, I’m close, I already have a crew and a ton of resources in Detroit and Michigan since that’s where I’m from’…So, first thing we wanted to do was shoot the fuck out of the live show…we wanted to just totally blow it out… And then I went back [to Indianapolis] to finish [Night School]. And, obviously, I spent about three days interviewing Danny while I was in Detroit… then had the idea to follow some fans who were at the show, and spent a few days with them, and slowly, slowly it started coming together… It was about a sixteen-month process from the first day of shooting.

GP: How did you find the fans who were featured in the film?

AC: Danny put out a Facebook post asking for fans who were going to be at the show who might be willing to be filmed…and we found some really great characters, you know, his fan base is super, super interesting… I think for Danny, he has a lot of fans who aren’t hip hop fans, a lot of them are punk rock fans. You’ll see a lot of mosh pits at his show. But I think that’s what’s great about Danny — he brings that vulnerability to his song writing. It’s not all braggadocious. He has that street credit, but he also has a punk rock mentality. Like, he refused to sign to a major label, he has this independent streak in him where he just does things his way, and I think the audience really reacts to that. He just has a really wide audience…like a lot of kids that come to his shows, I don’t think they’re gonna see a Drake show. He speaks to people that feel maybe disenfranchised, or people that are attracted to that kind of honesty.

GP: I was really impressed with how open and honest he was [in the film]. Was it easy to get him to open up like that in the conversations you had with him?

AC: Surprisingly so. I’ve done some profiles on some bigger artists and there’s always this kind of wall. They give you the PR spin of, like, an athlete after a basketball game, ‘Both teams played hard’ — this kind of sound byte stuff. But as soon as I met him — and I’m a huge Danny Brown fan — I totally understood why people love him so much. He’s so open and so honest and so vulnerable and raw. There’s none of that fake bullshit.

The first day I met him, we were filming late at night at the LP show, and they were all going to go back to Danny’s house and hang out after, and I [asked to come and film] and he was like, ‘Yeah of course!’ But I didn’t have car. I was trying to figure out how I would get back to the hotel…and he was like, ‘Oh, you can spend the night at my house! It’s fine.’ It was the first day I met this guy and he was inviting me to crash on his couch. At the time it didn’t seem like a big deal, but now, looking back, I’m like, ‘Damn, that’s crazy. That’s crazy.’

Danny Brown at the Majestic Theatre in Detroit.
Danny Brown at the Majestic Theatre in Detroit.

GP: So, why did you approach his manager initially? Was it just because you’re a big fan?

AC: Yeah, I mean I’ve been a fan of his for a long time. I remember Danny Brown before he was big at all…he was just another rapper from Detroit. He just opened for people – he was just one of the dozens of rappers in Detroit doing their thing…To see him transcend that and be really big was really really fun to watch. And so when I approached Dar, his manager, I showed him Medora, and he and his wife really loved the film, and knew that they would be in good hands. And I just started this relationship that ended up taking a long time to come to fruition, but I think in the end there was a trust there — like we’re from the same place, we have the same point of view, you know. So that’s what was cool about doing the doc…I didn’t have to sit down and Google ‘Danny Brown’ and do research on who he is…I already knew his full story, so it made it easy when we were interviewing or talking, because I understood where he was coming from.

GP: What made you decide to have the world premiere through Rooftop Films?

AC:  Just because I know Dan [Nuxoll, Program Director], and I know that they put on amazing screenings. The screening they did with Medora was unbelievable…so I knew I would be in good hands. They said that they had requests for 2,100 tickets in like three hours, or something like that, so I knew they would be able to handle the volume and accommodate Danny’s fans. I think that was really important to us — to have something where Danny’s fans have access…[something that] was going to be free, was going to be open to the public…all ages, 18 and over. So that was important to us. And you know, New York is a big market for him, so it made sense.

GP: Most of your work seems to revolve around people in low-income situations. What draws you to that landscape?

AC: I think that I love stories of underdogs. I’m not exactly sure why. I enjoy giving a voice to people who might not be given that platform. I think that there’s a lot of people out there in that part of the country who are really overcoming a lot of odds that don’t really get credit for it. So to be able to shine a light on people who wouldn’t have their stories told is really important to me. I think everyone is attracted to different types of material, and I like just making movies about real people who are trying to live in the real world, you know, and I think there are really courageous stories in that space. And I’m from the Midwest and obviously I love the Midwest — there’s just the frankness of the people — they’re very forthcoming and honest — and so I like telling stories about that part of the country — that part of the world.

GP: What are you working on now?

AC: I just finished my other film, so [I’m] figuring out the rollout with that. I’m doing something for MTV, Vice, ESPN, doing some television stuff, then basically taking a break. This will be my fourth feature film in three years. I’ve been going pretty hard for the past two years, so I’m going to take a break and see what’s next.

GP: Do you have an idea of what you would want to work on next?

AC:  Yeah, I want to take a stab at doing a narrative film. Get back to screenwriting and hopefully direct something narrative. I have a couple ideas for docs. There are plenty of opportunities coming my way and it’s hard to say no, but I need to do laundry, and just get my life back on track.

GP: Get back to the basics.

AC: Yeah, exactly.

GP: I mean, that’s a good problem to have as a filmmaker.

AC: Yeah, I’m super grateful. Especially for the opportunity to make a film about your favorite rapper…it seems so surreal. I’m just grateful to have the relationship with him. He’s just a great guy, you know.

***

Yeah! I know.

Attendance for tonight’s show is on a first come, first serve basis, and doors open at 7. Screening starts at 8:30, followed by a Q&A with Danny Brown and Andrew Cohn. Danny performs at 10PM. House of Vans is located at 25 Franklin Street in Greenpoint. 

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A New Jail for Greenpoint?

Not very likely. However, there has been talk in recent weeks of a new satellite jail being built in Greenpoint to compensate for a proposed closure of Rikers Island.  The idea to close the city’s main jail complex is nothing new – it was first presented a decade ago by the then-commissioner of the New York City Correction Department, Martin F. Horn. Horn envisioned closing down the troubled Rikers facility and rehousing thousands of inmates in new state-of-the-art facilities built in the Bronx and Brooklyn. Recently, the former Brooklyn Union Gas Company location at 287 Maspeth Avenue has been scouted as a possible location for a new jail.

Photo via the New York Times
Photo via the New York Times

The New York Times has been following this story for years and has several articles documenting the struggle that is Rikers Island. The dilapidated jails, built on a landfill, are not structurally stable and are prone to flooding and other issues. In addition to the environmental concerns, Rikers has a pretty serious culture of violence (one that goes both ways). An investigation by the Times reported several cases of brutality against mentally ill inmates, which currently make up nearly 40 percent of the Rikers population. These incidents included gang assaults by officers that resulted in serious injuries.

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A Greenpoint Landmark Keeps on Ticking

Greenpoint_Landmark_Clock
Photo: Megan Penmann

As Greenpoint changes it becomes increasingly important to maintain our links to the past. One of the iconic features of Greenpoint is a permanent piece of street furniture: the large mounted cast iron clock on Manhattan Avenue between Meserole and Norman. The clock is called “The Bomelstein Clock” and it is the last street clock in Brooklyn and one of only four that survive in the city. The clock is not going anywhere—in 1981 it was designated a landmark. Continue reading

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The Brothers Buoy and The Brooklyn Label

Jackson Cook and Graham Burns, also known as The Brothers Buoy. photo: Lizzie Shipley.
Jackson Cook and Graham Burns, also known as The Brothers Buoy. Photo: Lizzie Shipley.

“Cheese is a state of mind,” Graham Burns and Jackson Cook muse over a rich lunch of croque monsieur, steak frites and avocado toast with pickled spicy mango at The Brooklyn Label (180 Franklin St.). The food-obsessed Greenpoint duo, who go by The Brothers Buoy*, tell me they originally met filming an episode of Nickelodeon’s Legends of The Hidden Temple. Sadly, they weren’t dexterous enough under pressure to assemble the Shrine of the Silver Monkey, and lost the game. Later they admit the tale is fictional, funnier and more captivating than how they actually met—working at Apple. And no, they’re not actual brothers.

But the fake backstory, and their mutual love of all things cheese reveals how often their tongues are planted firmly in their cheeks while simultaneously tasting delicious foods. If you’ve never seen their Instagram account, it’s a food blog—beautifully-shot photography paired with unapologetic writing. To them, food is a sexy beast waiting to be conquered, and they’ve got a voracious appetite that shows through their images and words. Continue reading

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Greenpoint Studio Visit with Leon Reid IV

Leon Reed IV with Load Paintings, Tech-Art: Soul For Technology
Leon Reid IV with Load Paintings, Tech-Art: Soul For Technology

You may know Leon Reid IV through his street art or public art and now he has a new body of work conceived and developed in his Greenpoint studio over the last five years. Recently, I caught up with Leon at his studio to talk art, technology, and what it means to combine the two. Continue reading

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Weekend Art Roundup: May 20-22

 

 Work by Karen Marston exhibited in Demeter's Wrath

Work by Karen Marston exhibited in Demeter’s Wrath

Karen Marston – Demeter’s Wrath
at Owen James Gallery

Karen Marston is a painter focused on the fundamental contradiction of natural phenomena, the pairing of powerful terror with majestic beauty. Her large-scale oil paintings portray this strength at its extremes: tornadoes, forest fires, hurricanes, volcanic eruptions. While many of these events have occurred naturally throughout the history of the Earth, they have also been exacerbated by the influence humans have on the environment.

Opening Reception: Friday May 20th, 6-8 PM
at Owen James Gallery
61 Greenpoint Ave, #315 Continue reading

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Weekend Music: Day Job, Night Vision (5/20 – 5/23)

Why do you work all day at a job that is not your true calling?

For cash, of course. Or maybe stock options.

My day job pays the bills, but I also get to go to fun places sometimes for it too. Got to go to Alabama once.

It was great. “Where’s the best bar in this town?” I asked someone in Eufala, AL.

“Airport Lounge. They got shacks in the back.” In case you are not up on your South, that means ladies of the night are available.

Not my thing, but heading for Japan on Sunday, bizness class. Before my next brush with the picaresque, here’s the weekend music calendar, with a bonus entry for Monday night to help transition you back to the work week. Continue reading

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Greenpoint’s WWII Prisoner of War Camp and a Forbidden Love

Screen shot 2016-04-29 at 7.00.17 AM

One of the things I did while researching my local history book Greenpoint Brooklyn’s Forgotten Past was talking to as many Greenpoint seniors as I could. They have repeatedly told me a story I cannot document, but must be true—Greenpoint hosted an Italian prisoner of war camp during the second World War.

Other Greenpoint amateur historians doubt the existence of the camp and say simply, “Prove it.” I can’t, although I have searched extensively. If, on the one hand I cannot document the existence of the camp, then, on the other hand we cannot dismiss the memories of a dozen older Greenpointers either.

The camp was at Dupont Street and Franklin where the Greenpoint Playground is today. Old timers recall guards, a wire fence and barges where the hundreds of Italians lived. One of the seniors commented to me, “They may have been prisoners, but they had a million dollar view of the New York skyline.” Continue reading

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Films on the Green Returns to Transmitter Park This Summer

Crowd watching a film in Transmitter Park, last summer.
Crowd watching a film in Transmitter Park, last summer.

One of the area’s brightest summer events, Films on the Green will be returning to Greenpoint’s WNYC Transmitter Park to project two films ‘en plein air’.

An initiative of the Cultural Services of the French Embassy in the US, the FACE Foundation and the City of New York Parks & Recreation, Films on the Green Films is unique among the myriad of free movie screenings attracting cineastes to NY green spaces every summer, as each year the series presents a free and fresh sampling of French films around a given theme.

This year, as part of the Tandem Paris-New York, a cultural partnership between the cities of New York and Paris including a music festival, film, art, and other events, running between June and October 2016, Films on the Green presents classic and contemporary films that, “present the diversity of Paris, its inhabitants, landscapes, and cultures”.

Greenpointers can view two classic French films projected alongside an unmatched East River view of Manhattan, when Luc Besson’s ‘Subway’ screens June 24th and François Truffaut’s ‘400 Blows’ on July 1st. Continue reading

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Tommy James: DJ & Live Music Curator for Good Room

Screen shot 2016-04-30 at 7.31.40 PMAt first Tommy James, DJ and live music curator at Good Room on Meserole Avenue, comes off as just another humble British expat living in Greenpoint. Only upon researching this piece did I discover his many musical accomplishments. In fact, it is no exaggeration to say that in some circles Tommy James is even something of a legend, but one thing is certain: success has not jaded him, nor dimmed his passion for music. And it’s this passion for music that has helped make Good Room an epic venue for live music.

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